»Illusory Lines (2015, dur. 10:48”) is an immersive 8-channel composition that utilizes several significant aural illusions to provide the work’s structural underpinnings. Specifically, the work incorporates both Shepard Tones (endless glissandi) and Risset Rhythms (endless accelerando/ritardando) that are featured prominently in several large sections of the work. The surface of the composition includes physically modeled strings and meshes/plates as well as samples from an accordion, a double bass and bees, exploring the inter-relationships between these seemingly divergent synthetic and concrete sound worlds. Spatialization strategies highlight a variety of structural moments while creating a rich sense of location within space.
University of North TExas, CEMI
Jon Christopher Nelson (b. 1960) is currently a Professor at the University of North Texas where he serves as an associate of CEMI (Center for Experimental Music and Intermedia) and also the Associate Dean of Operations. Nelson’s electroacoustic music compositions have been performed widely throughout the United States, Europe, Asia, and Latin America. He has been honored with numerous awards including fellowships from the Guggenheim Foundation, the National Endowment for the Arts, and the Fulbright Commission. He is the recipient of Luigi Russolo and Bourges Prizes (including the Euphonies d'Or prize) and recently was recognized as the recipient of the International Computer Music Association's 2012 Americas Regional Award. In addition to his electro-acoustic works, Nelson has composed a variety of acoustic compositions that have been performed by ensembles such as the New World Symphony, the Memphis Symphony, the Brazos Valley Symphony Orchestra, ALEA III, and others. He has composed in residence at Sweden's national Electronic Music Studios, the Visby International Composers Center and at IMEB in Bourges, France. His works can be heard on the Bourges, Russolo Pratella, Innova, CDCM, NEUMA, ICMC, and SEAMUS labels.