International Computer Music Conference 2016 Papers Track

Sunday, 11 September 2016
20:00-22:00
(Plein 5)

The program of the opening concert / reception / meeting will be published later.

Monday, 12 September 2016
9:00-23:00
workshop spaceKUUB
9:00-9:30
(Cloud Nine) [CT Aesthetic or Tech]
9:40-10:40
Piece & PaperAc of Music
PandoraClub Nine
InMuSIC: an Interactive Multimodal System for Electroacoustic ImprovisationGiacomo Lepri, Institute of Sonology - STEIMMolecular Sonification of Nuclear Magnetic Resonance Data as a Novel Tool for Sound CreationFalk Morawitz, University of Manchester The Effects of Reverberation Time and Amount on the Emotional CharacteristicsRonald Mo, HKUST; Bin Wu, HKUST; Andrew Horner, HKUSTCommonality Analysis of Chinese Folk Songs based on LDRCT Audio Segmentation AlgorithmJuan Li, Xi'an Jiaotong University; Yinrui Wang, Xi'an Jiaotong University; Xinyu Yang, Xi'an Jiaotong UniversityAdditive Synthesis with Band-Limited Oscillator SectionsPeter Pabon, Royal Conservatoire; So Oishi, Royal Conservatoire
10:40-11:10
(....)
11:10-13:15
(Pandora) [Piece & Paper]

Sound Games: Reaching For The Sky With Audience Participation And Smartphones
Marcelo Gimenes, Plymouth University United Kingdom

The Paradox of Random OrderJeyong Jung, Institute of Sonology; Peter Pabon, Institute of Sonology; Graham Flett, Institute of SonologyGranular Spatialisation, a new method for diffusing sound in high-density arrays of loudspeakersJavier Alejandro Garavaglia, London Metropolitan UniversityMOTIVIC THOROUGH-COMPOSITION APPLIED TO A NETWORK OF INTELLIGENT AGENTSJuan Vasquez, Aalto University; Koray Tahiroğlu, Aalto University; Johan Kildal, IK4-TEKNIKER
11:10-12:10
(Club Nine)Exploiting Mimetic Theory for Instrument DesignPhilip Wigham, Manchester Metropolitan UniversityViewing the Wrong Side of the Screen in Experimental Electronica PerformancesSonya HoferBalancing Defiance and Cooperation: The Design and Human Critique of a Virtual Free ImproviserRitwik Banerji, UC Berkeley
12:10-14:30
restaurantPlein 5
Bio-Sensing and Bio-Feedback Instruments --- DoubleMyo, MuseOSC and MRTI2015 ---Yoichi Nagashima, Shizuoka University of Art and CultureFluid Control - Media Evolution In WaterChristoph Theiler, wechselstrom; Renate Pittroff, wechselstrom“MUCCA”: an Integrated Educational Platform for Generative Artwork and Collaborative WorkshopsTakayuki Hamano, Tokyo University of the Arts; Tsuyoshi Kawamura, TAJISOFT Dev.; Ryu Nakagawa, Nagoya City University; Kiyoshi Furukawa, Tokyo University of the ArtsElectro Contra: Innovation for TraditionBenjamin Smith, Indiana-University Purdue-University IndianapolisHoneybadger and LR.step: A Versitile Drum Sequencer DMIMorgan Jenks, Texas A&M UniversityEVALUATING A SKETCHING INTERFACE FOR INTERACTION WITH CONCATENATIVE SYNTHESISAugoustinos Tsiros, Edinburgh Napier University; Grégory Leplâtre, Edinburgh Napier UniversityRecorderology - development of a web based instrumentation tool concerning recorder instrumentsUlrike Mayer-Spohn, FHNW Basel; Keitaro Takahashi, FHNW Basel
14:00-16:30
Aesth Theory Phil
RASA TheaterClub Nine
KARLAX PERFORMANCE TECHNIQUES: IT FEELS LIKED. Andrew STEWART, University of LethbridgeMusic Industry, Academia and the PublicCarola Boehm, Manchester Metropolitan UniversityA cross-genres (ec)static perspective on contemporary experimental musicRiccardo Wanke, University ‘Nova’ of Lisbon. Faculdade de Ciências Sociais e HumanasDiegetic Affordances and Affect in Electronic MusicAnil Camci, University of Illinois at Chicago; Vincent Meelberg, Radboud University NijmegenThe Effect of DJs’ Social Network on Music PopularityHyeongseok Wi, Korea Advanced Institute of Science and Technology; Kyung Hoon Hyun, Korea Advanced Institute of Science and Technology; Jongpil Lee, Korea Advanced Institute of Science and Technology; WonJae Lee, Korea Advanced Institute of Science and Technology Kronos Meta-Sequencer -- From Ugens to Orchestra, Score and BeyondVesa Norilo, University of ArtsPanoramix: 3D mixing and post-production workstationThibaut Carpentier, UMR 9912 STMS IRCAM – CNRS – UPMCMulti-Point Nonlinear Spatial Distribution of Effects across the SoundfieldStuart JamesA Permissive Graphical Patcher for SuperCollider SynthsFrédéric Dufeu, University of HuddersfieldIntroducing CatOracle: Corpus-based concatenative improvisation with the Audio Oracle algorithmAaron Einbond, City University London; Diemo Schwarz, IRCAM/CNRS/UPMC; Riccardo Borghesi, IRCAM/CNRS/UPMC; Norbert Schnell, IRCAM/CNRS/UPMC
14:30-15:30
(RASA studio)Workshop Smarter MusicArthur Wagenaar, Stichting Goed Bezig!
15:30-16:30
(RASA studio)Notating, Performing and Interpreting Musical Movement WorkshopRichard Hoadley, Anglia Ruskin University
17:00-18:00
(Domkerk)
18:00-19:00
(....)
19:00-20:30
Cloud 9Pandora
20:30-21:00
(....)
21:00-22:30
(Hertz hall)
Tuesday, 13 September 2016
9:00-23:00
workshop spaceKUUB
9:00-9:30
(Cloud Nine) [CT Sky Local ?]
9:40-10:40
Hertz puntClub Nine
Granular Wall: approaches to sonifying fluid motionJonathon Kirk, North Central College; Lee Weisert, University of North CarolinaThe Computer Realization of John Cage’s Williams MixTom Erbe, UC San Diego Computer-Based Tutoring for Conducting StudentsAndrea Salgian, The College of New Jersey; David Vickerman, The College of New Jerseya Band is Born: a digital learning game for Max/MSPOliver Hancock, Nelson Marlborough Institute of TechnologyDetecting Pianist Hand Posture Mistakes for Virtual Piano TutoringDavid Johnson, University of Victoria; Isabelle Dufour, University of Victoria; Daniela Damian, University of Victoria; George Tzanetakis, University of Victoria
11:10-12:10
(Hertz hall)

Title and topics of keynote will be published shortly..

12:10-16:30
(Pandora)
12:10-14:30
restaurantPlein 5
A Fluid Chord Voicing GeneratorDaniel Scanteianu, Stony Brook University; Errick Jackson, Harvey Mudd College; Robert Keller, Harvey Mudd CollegeHow To Play the PianoRichard Hoadley, Anglia Ruskin UniversityMarkov Networks for Free ImprovisersStefano Kalonaris, Sonic Arts Research CentreOpensemble: A collaborative ensemble of open source musicMatias Zabaljauregui, La Plata National UniversityDesigning a Digital GamelanAdrien L' Honoré Naber, DIGIGAMWavefolding: Modulation of Adjustable Symmetry in Sawtooth and Triangular WaveformsEdward Kelly, Synchroma Audio EngineeringTowards an Aesthetic of Instrumental Plausibility for Mixed Electronic MusicRichard Dudas, Hanyang University; Pete Furniss, University of EdinburghNoise in the CloudsEva Sjuve, University of Huddersfield
14:00-16:30
RASA TheaterClub Nine
Musical Style Modification as an Optimization ProblemFrank Zalkow, Saarland University; Stephan Brand, SAP SE; Benjamin Graf, SAP SESynchronization in Networks of Delayed OscillatorsAndreas Henrici, Zürcher Hochschule für Angewandte Wissenschaften; Martin Neukom, Zürcher Hochschule der KünsteUsing Software Emulation to Explore the Creative and Technical Processes in Computer Music: John Chowning’s Stria, a case study from the TaCEM projectMichael Clarke, University of Huddersfield; Frédéric Dufeu, University of Huddersfield; Peter Manning, Durham UniversityConcatenative Synthesis via Chord-Based Segmentation For "An Experiment with Time"Daniele Ghisi, STMS Lab; Mattia G. Bergomi, Champalimaud Neuroscience Programme Spatiotemporal GranulationMuhammad Hafiz Wan Rosli, University of California, Santa Barbara; Curtis Roads, University of CaliforniaThe Sound Analysis Toolbox (SATB)Tae Hong Park, New York University; Sumanth Srinivasan, New York Universityshort overview of parametric loudspeakers array technology and its implications in spatialization in electronic musicJaime Reis, INET-md / Festival DMEExtended Convolution Techniques for Cross-SynthesisChris Donahue, University of California San Diego; Tom Erbe, University of California San Diego; Miller Puckette, University of California San Diego
14:30-15:30
(RASA studio)Algorithmic Composition in Abjad: Workshop Proposal for ICMC 2016Trevor Bača, Harvard University; Jeffrey Treviño, Colorado College; Josiah Oberholtzer, Unaffiliated
15:30-16:30
(RASA studio)workshop IOM-AIM ResearchPeter van Bergen, Vrije Universiteit Brussel, LOOS Foundation / Studio LOOS; Johan van Kreij, LOOS Foundation / Studio LOOS
17:00-18:00
Fentener van VlissingenzaalPlein 6
19:00-20:30
Cloud NineCloud Nine
21:00-22:30
(Hertz hall)
23:00-23:55
(Pandora)

Please note, the off-ICMC concerts (late night concerts) are from 23:00 - 1:00 (or later..)

Wednesday, 14 September 2016
9:00-23:00
workshop spaceKUUB
9:00-9:30
(Cloud Nine) [CT Education Sky]
9:40-10:40
Hertz puntClub Nine
CREATE Studio Report 2016Curtis Roads, UCSB; Clarence Barlow, UCSBComputer Music Studio and Sonic Lab at Anton Bruckner University Studio ReportAndreas Weixler, Anton Bruckner University; Se-Lien Chuang, Atelier Avant Austriastudio reportsChristopher Keyes, Hong Kong Baptist University Electroacoustic Music as Born Digital HeritageHannah BosmaCOMPUTER MUSIC INTERPRETATION IN PRACTICESerge Lemouton, ircamNew Roles for Computer Musicians in S.T.E.A.M.Jeremy Baguyos, University of Nebraska (Omaha)
12:10-16:30
(Pandora)
12:10-14:30
restaurantPlein 5
The Things of Shapes: Waveform Generation using 3D Vertex DataKevin Schlei, University of Wisconsin-Milwaukee; Rebecca Yoshikane, University of Wisconsin-MilwaukeeSound vest for dance performanceFelipe Otondo, Universidad Austral de ChileWebHexIso: A Customizable Web-based Hexagonal Isomorphic Musical Keyboard InterfaceHanlin Hu, University of Regina; David Gerhard, University of ReginaRoulette: A Customized Circular Sequencer for Generative MusicDaniel McNamara, California Institute of the ArtsMusicBox: creating a musical space with mobile devicesJan-Torsten Milde, Fulda University of Applied Science
14:00-16:30
RASA TheaterClub Nine
Frequency Domain Spatial Mapping with the LEAP Motion ControllerDavid Kim-Boyle, University of SydneyZirkonium 3.1 - a toolkit for spatial composition and performanceChikashi Miyama, ZKM; Götz Dipper, ZKM; Ludger Brümmer, ZKMA 3-D Future for Loudspeaker Orchestras Emulated in Higher-Order AmbisonicsNatasha Barrett, University of OsloExtending the piano through spatial transformation of motion capture dataMartin Ritter, University of Calgary; Alyssa Aska, University of CalgaryApproaches to Real Time Ambisonic Spatialization and Sound Diffusion using Motion CaptureAlyssa Aska, University of Calgary; Martin Ritter, University of CalgaryBig Tent: A Portable Immersive Intermedia EnvironmentBenjamin Smith, Indiana-University Purdue-University Indianapolis; Robin Cox, IUPUIGesture-based Collaborative Virtual Reality Performance in CarillonRob Hamilton, Rensselaer Polytechnic Institute; Chris Platz, California College of the ArtsEmphasizing Form in Virtual Reality-Based Music PerformanceZachary Berkowitz, Louisiana State University; Edgar Berdahl, Louisiana State University; Stephen David Beck, Louisiana State University Description of Chord Progressions by Minimal Transport Graphs Using the System & Contrast ModelCorentin Louboutin, Université Rennes 1; Frédéric Bimbot, CNRSDo Structured Dichotomies Help in Music Genre Classification?Tom Arjannikov, University of Victoria; John Zhang, University of LethbridgeAlgorithmic Composition Parameter as Intercultural and Cross-level MIR Feature: The Susceptibility of Melodic Pitch ContourHsin-Ming Lin, University of California, San Diego; Shlomo Dubnov, University of California, San DiegoThe GiantSteps Project: A Second-Year Intermediate ReportPeter Knees, Johannes Kepler University Linz; Kristina Andersen, Studio for Electro-Instrumental Music (STEIM); Sergi Jordà, Universitat Pompeu Fabra; Michael Hlatky, Native Instruments GmbH; Andrés Bucci, Reactable Systems; Wulf Gaebele, Yadastar GmbH; Roman Kaurson, JCP-Connect SASA supervised approach for rhythm transcription based on tree series enumerationAdrien Ycart, Sorbonne Universités, STMS (Ircam, CNRS, UPMC); Florent Jacquemard, Sorbonne Universités, STMS (Ircam, CNRS, UPMC) / Inria Paris; Jean Bresson, Sorbonne Universités, STMS (Ircam, CNRS, UPMC); Slawek Staworko, University of EdinburghGraphical Temporal Structured Programming for Interactive MusicJean-Michaël Celerier, LaBRI / Blue Yeti; Myriam Desainte-Catherine, Université de Bordeaux, LaBRI, CNRS, INRIA; Jean-Michel Couturier, Blue YetiIntroducing a Context-based Model and Language for Representation, Transformation, Visualization, Analysis and Generation of MusicDavid Hofmann, University of Music KarlsruheRecreating Gérard Grisey’s Vortex Temporum with cageDaniele Ghisi, STMS Lab; Andrea Agostini, Conservatorio di Torino; Eric Maestri, LabEx GREAM, Université de Strasbourg
15:30-16:30
(RASA studio)
16:30-18:30

Visit HKU Music and Technology

Starting in the late seventies, HKU Music and Technology has acquired an international reputation for its project-based education and research which is relevant to the creative industries and to society.
During your visit to the institute, you will get a brief glimpse into this education and research plus a tour around the labs and the brand new music studio complex. The visit ends with an informal drink with typical Dutch snacks.
If you'd like to attend this visit, please send an email to martijn.vangessel@icmc2016.com before September 12 with the subject Visit HKU Music and Technology.

Date & time of the visit: Wednesday 14 September 17u00 - 18u00.
Gathering at 16u30 at the Central Ticket Office (TivoliVredenburg).
From there we will take you to HKU Music and Technology.

Background information
www.hku.nl/home-en.htm
www.hku.nl/Opleidingen/MuziekEnTechnologie/OverHKUMuziekEnTechnologie1.htm (in Dutch)
www.hku.nl/Homeen/Courses/Masters/MasterOfMusicMusicDesign.htm
www.hku.nl/Homeen/Research/Professorships/ResearchProgrammeMusicDesign.htm

17:00-18:00
(RASA studio)
Thursday, 15 September 2016
9:00-23:00
workshop spaceKUUB
9:00-9:30
(Cloud Nine) [CT Composer Musician]
9:40-10:40
Hertz puntClub Nine
Sound, Electronics and Music: an evaluation of early embodied educationLauren Hayes, Arizona State UniversityPerforming Computer Network Music. Well-known challenges and new possibilities.Miriam Akkermann, University Bayreuth The Emotional Characteristics of Mallet Percussion Instruments with Different Pitches and Mallet HardnessChuck-jee Chau, The Hong Kong University of Science and Technology; Andrew Horner, The Hong Kong University of Science and TechnologyThe Effects of Pitch and Dynamics on the Emotional Characteristics of Bowed String InstrumentsSamuel J. M. Gilburt, Newcastle University; Chuck-jee Chau, The Hong Kong University of Science and Technology; Andrew Horner, The Hong Kong University of Science and TechnologyThe Effects of MP3 Compression on Emotional CharacteristicsRonald Mo, HKUST; Ga Lam Choi, HKUST; Chung Lee, Singapore University of Technology and Design; Andrew Horner, HKUST
11:10-12:10
(Club Nine)
12:10-16:30
(Pandora)
12:10-14:30
restaurantPlein 5
Composition as an Evolving EntitySever Tipei, University of IllinoisNodewebba: Software for Composing with Networked Iterated MapsBret Battey, De Montfort UniversityRelative Sound Localization for Sources in a Haphazard Speaker ArrayNeal Anderson, Indiana University Purdue University Indianapolis; Benjamin Smith, IUPUIAIIS: An Intelligent Improvisational SystemSteven Leffue, University of California, San Diego; Grady Kestler, University of California, San DiegoRackFX: An Internet of Things Solution for Analog Signal ProcessingSean Peuquet; David Jones, Madwire, LLC
13:30-15:30
RASA TheaterClub Nine
Composing and Performing Digital Voice Using Microphone-Centric Gesture and Control DataKristina Warren, University of VirginiaComposing for an Orchestra of Sonic Objects: The Shake-ousmonium ProjectOtso Lähdeoja, University of the Arts, Sibelius AcademyHand Gestures in Music ProductionAxel Berndt, University of Music Detmold; Simon Waloschek, University of Music Detmold; Aristotelis Hadjakos, University of Music DetmoldGrab-and-play mapping: Creative machine learning approaches for musical inclusion and explorationHugo Scurto, Goldsmiths, University of London; Rebecca Fiebrink, Goldsmiths, University of LondonThe problem of musical gesture continuation and a baseline systemCharles Bascou, GMEM; Valentin Emiya, Aix-Marseille University; Mathieu Laurière, Université Denis Diderot (Paris VII) Anthèmes 2: addressing the performability of live-electronic musicLaurens van der Wee, Utrecht School of the Arts; Roel van Doorn, Utrecht School of the Arts; Jos Zwaanenburg, Conservatory of AmsterdamStride: A Declarative and Reactive Language for Sound Synthesis and BeyondJoseph Tilbian, University of California, Santa Barbara; Andreas Cabrera, University of California, Santa BarbaraEmbeding native audio-processing in a score following system with almost sample accuracyPierre Donat-Bouillud, Ircam; Jean-Louis Giavitto, Ircam; Arshia Cont, Ircam; Nicolas Schmidt Gubbins, Pontificia Universidad Católica de Chile; Yann Orlarey, GrameA Literature Review of Interactive Conducting Systems: 1970-2015Kyungho Lee, University of Illinois at Urbana-Champaign; Michael Junokas, University of Illinois at Urbana-Champaign; Guy Garnett, University of Illinois at Urbana-ChampaignO2: Rethinking Open Sound ControlRoger B. Dannenberg, Carnegie Mellon University; Zhang Chi, Carnegie Mellon University
13:30-14:30
(RASA studio)Converging Objects workshopRobert van Heumen, Stichting WEST28; Anne La Berge, Volsap Foundation
14:30-15:30
(RASA studio)Using Layer Based Amplitude Panning (LBAP) Audio Spatialization Algorithm and D4 Max Library’s Rapid Prototyping Tools for the Interactive 3D Audification and Sonification of Multidimensional Data, and in Interactive Music Scenarios in High Density LoudspIvica Bukvic, Virginia Tech
15:00-19:45
(....)

Buss transport is available to the Botanic gardens, where the day-out is and later on the Banquet.
Public transport is available for those who wish to go to the Banquet but not to the day-out.

The schedule:

15.00h    Transport by bus to the Botanic Gardens from Tivoli Vredenburg
15.30h    Welcome with coffee/tea and sweets
16.00h    Guided Tour through the Botanic Gardens

16:00h - 17:00    Public Transport to the Botanic Gardens from Tivoli Vredenburg (see announcements)

17.00h    Informal drinks with fingerfood
17.30h    Walking Dinner
19.00h    Coffee/tea and dessert
19.45h    Transport by bus back to Tivoli Vredenburg

 

17:00-18:00
(Fentener van Vlissingenzaal)
21:30-23:00

This is a public concert which is part of ICMC2016, so a ticket for this concert is included.

https://www.tivolivredenburg.nl/nl/agenda/detail/5997/Robert_Henke_Lumiere_II_2

https://www.facebook.com/events/1722352294684220/

https://www.youtube.com/watch?v=ZFr0n2q0BaQ

Friday, 16 September 2016
9:00-23:00
workshop spaceKUUB
9:00-9:30
(Cloud Nine) [CT Composer Musician]
9:40-10:40
Hertz puntClub Nine
Improvements of iSuperColliderKit and its ApplicationsAkinori Ito, Tokyo University of Technology; Kengo Wanatabe, Watanabe DENKI Inc.; Genki Kuroda, Tokyo University of Technology; Ken'ichiro Ito, Tokyo University of TechnologyThe Sky’s the Limit: Composition with Massive Replication and Time-shiftingChristopher Coleman, Hong Kong Baptist UniversitySCATLAVA: Software for Computer-Assisted Transcription Learning through Algorithmic Variation and AnalysisDavid Su, Inspiro Effects of Test Duration in Subjective Listening TestsDiemo Schwarz, Ircam; Guillaume Lemaitre, Ircam; Mitsuko Aramaki, LMA; Richard Kronland-Martinet, LMAThe Ear Tone Toolbox for Auditory Distortion Product SynthesisAlex Chechile, Stanford UniversitySonification of Optically-Ordered Brownian MotionChad McKell, Wake Forest University
11:10-12:10
Hertz puntClub Nine
Cybernetic Principles and Sonic EcosystemsAdam Collis, Coventry University; Daren Pickles, Coventry UniversityContinuous Order Polygonal Waveform SynthesisChristoph Hohnerlein, Stanford University; Maximilian Rest, Stanford University; Julius Orion Smith, Stanford UniversityTextual and Sonic Feedback Loops: Simultaneous conversations as a collaborative processChristopher Jette, University of Iowa; nathan krueger, university of oshkosh Tectonic: a networked, generative and interactive, conducting environment for iPadLindsay Vickery, Edith Cowan UniversityAVA: A Graphical User Interface For Automatic Vibrato and Portamento Detection and AnalysisLuwei Yang, Queen Mary University of London; Khalid Z. Rajab, Queen Mary University of London; Elaine Chew, Queen Mary University of LondonSpectrorhythmic evolutions: towards semantically enhanced algorave systemsAlo Allik, Queen Mary University of London
12:10-16:30
(Pandora)
12:10-14:30
restaurantPlein 5
14:00-16:30
(RASA Theater)A Differential Equation Based Approach Sound Synthesis and SequencingByron Jacobs, University of the WitwatersrandMusic Poet:A Performance-Driven Composing SystemRongfeng Li, Beijing University of Posts and Telecommunications; Xinyun Zhang, Peking University; Minghui Bi, Peking UniversityMultiple Single-Dimension Mappings of the Henon Attractor as a Compositional AlgorithmRodney Waschka, North Carolina State University; Alexandra Kurepa, North Carolina A&T State UniversityFrom live to interactive electronics. Symbiosis: a study on sonic human-computer synergy.Artemi-Maria Gioti, University of Music and performing Arts GrazComposing in Bohlen-Pierce and Carlos alpha scales for solo clarinetTodd Harrop, Hochschule für Musik und Theater Hamburg; Nora-Louise Müller, Hochschule für Musik und Theater HamburgA Web-based System for Designing Interactive Virtual SoundscapesAnil Camci, University of Illinois at Chicago; Paul Murray, University of Illinois at Chicago; Angus Forbes, University of Illinois at Chicago
14:30-16:30
(Club Nine)
17:00-18:00
(Fentener van Vlissingenzaal)

 

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